I am discovering (inventing?) that not only characters and plot need antagonism, pressure, dilemma, and sub-text, but so do metaphors. This gives them life and reality: we see ourselves and our wrestling with our ways. What is the whole metaphor? It is certainly more than the pretty little thing we can mold with our hand. It is alive, and bites.
:- Doug.
When you find an image find also the contraries and sub-texts enfolded. Milk is white; it is also sweet. Again it hides by way of its opacity; clogs with its fat. Nourishes; stains. Seek the complete, the other in the familiar, the against. Go further to the dilemma, the vile.
:- Doug.
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