Facts of us together
Let us examine/examen the facts of us together—our nature, wishes, joys, fun, temperament, moods, constitution, yearnings, wishes, satisfactions and maybe we discover the way to make human nature good.
:- Doug.

Let us examine/examen the facts of us together—our nature, wishes, joys, fun, temperament, moods, constitution, yearnings, wishes, satisfactions and maybe we discover the way to make human nature good.
:- Doug.
We can train for our together by improv. Let’s search out good prompts.
:- Doug.
Just noticing some of my writing about Blake and Human, and wondering now if person may have some other rich aspect beyond where we have gone—foreground, heard, absorbed, real, like me, respected, worthy, valued. Does it have a face of fully developing, touching sacred, reaching for some as-yet unfound state of human? Then we no longer have nor need transcenders, but simply persons developing.
:- Doug.
We then are involved in a tapestry, the tapestry is conversation, the tapestry is at least mental and probably more. We are drawing forth the whole among persons, a tactual, color-filled, life-seeding work of living art.
:- Doug.
We need to be about drawing out, especially the sacred. But it need not be as high as a deity, nor as low as the simply excellent or self-actualized person. It is the healthy person, healthy in body, mind, spirit. There seems to be no word, so maybe we need to make up one.
:- Doug.
We are not going to be a two-headed monster—just a step more fully human.
:- Doug.
We become an active part of the world we wish to observe, the one we wish also to mold. That is a way of saying, we recognize, we let in, we accept a level of responsibility.
:- Doug.
You and I are isomorphic and might become integral not just with one another but to.
:- Doug.
When you enter life’s garden thro’ the conversation doorway. . . of necessity you go hand in hand—which means you can ill manipulate the world—but can grasp bigger bunches of it—just like plants cannot and can—and do.
:- Doug.
How can you be more you-ish, and I more Doug-ish? Then drop the prefix to simply be ish?
:- Doug.
To face transcendence of two is to look into the face of the unknown—and have it look into yours.
:- Doug.
Actors in theater or improv can enter this zone—becoming the scene, and the scene comes alive.
:- Doug.
The purpose of our conversing and gathering is far from perfection; it is muddling thro’—to discovery.
:- Doug.
If we get to a place of sacred/holy/other, is that not already transcending?
:- Doug.
Conversation is how we think together
Conversation is how we create together
Conversation is how we imagine together
:- Doug.